SYMFONIIA (2018)
Two screen installation
HD video, Ukrainian coal (from Bilozers’ke mine, Donbas region), and ceramic bird
Symfoniia is a two-screen installation work specifically produced for the group exhibition, How to Do Things with Words, curated by Tom Pope & Vicki Thornton, which took place at ArtLacuna project space, London, between 28th September – 14th October 2018.
The exhibition took as its starting point the concept of the “performative utterance”, as developed by language philosopher J L Austin in his seminal lectures, How to Do Things with Words (1962). Austin defines this as the relationship between words and actions or the actualisation of what a sentence states: it is not the describing of an action but the performing of an action through the act of speech.
Since the introduction of Austin’s concept in linguistic theory, its use has transcended words to become a common notion in the visual arts. Artists utilise the performative in the production, presentation and theorisation of artworks. Performative strategies are employed in the production of works by folding the creation of an artwork with an event, often a performance event. The performative is primarily utilised in the presentation of artworks, where the audience is required to “complete” the work of art by interacting with it, frequently more so than simply looking. The theorisation of the performative in an artwork sees the artist amalgamate the performative utterance and visual theory, bringing the artwork to life somewhere between words and object, words and action.
Symfoniia was shot at the Kachalka “Muscle Beach” outdoor gym in the Hydropark area of Kyiv and in Bilozers’ke music school in the Donbas coal mining region of eastern Ukraine. It explores notions of masculinity and its relationship to performance via references to Soviet films such as Dziga Vertov’s Enthusiasm: The Symphony of Donbas (1931).
Credits
Director and Editor: Vicki Thornton
Producer (Donbas): Rimma Mareychenko
Camera (Kyiv): Vicki Thornton
Camera (Donbas): Yarema Malashchuk
Sound (Donbas): Vitalik Garkaviy
Production Support (Kyiv): Taras Kovach
Thanks to: Bilozers’ke Music School
Single Screen Composite
Main screen: 4 minutes 10 seconds looped
Small screen: 41 seconds looped